Classic Film Review #1: Little Women (2019)

Available on - Netflix

Greta Gerwig’s seemingly faithful adaptation of Louisa May Alcott's treasured novel initially seemed like an unusual way to follow the much lauded and uber modern Lady Bird. But look past its 19th century setting and you’ll see that Little Women is the perfect bedfellow for much of Gerwig’s preceding work, as it is primarily occupied with the societal expectations and pressures that are faced by women, irrespective of their social standing.

The film is sublimely cast, with the role of the March sisters being played by Eliza Scanlen, Emma Watson, Florence Pugh and the ever-excellent Saoirse Ronan. You could argue that it is the latter whose character is of most interest, but Gerwig gives ample time to each and, in doing so, garners genuine empathy from her audience. For me, a repeat viewing really shone a light on Pugh’s work, who here is tasked with the tricky role of Amy, the at-first-glance most brattish of the four siblings whose hidden depths are gradually revealed as Alcott’s story unfolds.

Each character in Little Women is a fully rounded and beautifully drawn individual whose respective arcs each grapple with different aspects of the gender divide, without the screenplay ever being heavy-handed in its innate socio-politicism. It is remarkable how well Alcott's stories, originally published in 1868 and 1869, resonate with modern audiences, though perhaps not all that surprising given the societal talking points which have dominated recent years.

Huge credit is deserving of Gerwig, who continues to blaze a trail for herself as one of contemporary cinema's most eminent voices. And Ronan, for all the talents of her co-stars, really does shine above all else, once again proving herself to be a truly exceptional generational talent.

Little Women is truly a treasure and a film which will strike a chord with its viewers in many ways.