Classic Film Review #18: When Harry Met Sally

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Arguably the quintessential romantic comedy, When Harry Met Sally is a tale of two friends that are seemingly destined to be more but refuse to admit their true feelings for fear of losing one another's companionship.

Grounding the film’s central premise is Nora Ephron's excellent screenplay, which is light on platitudes and built on sharp, realistic dialogue between the two leads. Speaking of which, the chemistry between Billy Crystal and Meg Ryan is on a par with that of any other cinematic couple, with both a treasure to behold throughout. Even though Crystal’s character feels a little outdated in today’s socio-political climate, his interactions with Ryan remain effortlessly charming and one cannot help but root for their long-gestating union.

Such a winning combination is a welcome gift for any director and Rob Reiner certainly is not wasteful in receipt, constructing scenes of palatable affection and humour, none more so than that diner scene. New York, one of cinema's most fabled settings, also makes an indelible contribution to the film’s appeal, providing a series of chic landscapes in which the titular protagonist’s love can blossom.

Indeed, Reiner's direction still ought to be regarded as a yardstick for this genre, primarily because he appears to understand that a believable connection is all that is required when trying to tell a love story. I've long been a sucker for a well done romcom and, having watched many over the years, am still willing to proclaim this as my favourite.