Classic Review #43: Tokyo Story

In selected cinemas now

Perhaps the most startling thing about Yasujirō Ozu’s undeniable masterpiece is that, 70 years on from its original release, it remains so relevant. The ordinariness of its premise - an ageing couple leave their home in the provinces to visit their children in Tokyo - makes Tokyo Story a parable that transcends the passing of time, its motif, of the importance of treasuring the time we have with our loved ones, being arguably more resonant than ever before.

Nonetheless, the understated naturalism of Ozu’s directorial style does mean that Tokyo Story, which runs for a little over two hours, can make for a challenging watch at times. With neither its director or co-writer, Kôgo Noda, inclined to accelerate events for the presumed benefit of their audience, the film is reliant on our ability to find a deeper meaning in the everyday rituals of its characters. While such calmness is at odds with many contemporary approaches to storytelling, it is all the more rewarding for viewers who are inclined to question events which could otherwise be misconstrued as being mundane.

With Yûharu Atsuta’s cinematography ensuring that Tokyo Story is an equally rich aesthetic experience, all the makings of an essential and, above all else, timeless classic are here.